Director & Videographer
My directing style is rooted in realism, emotional honesty, and close attention to human behavior. I am drawn to intimate moments, natural performances, and stories that reveal complexity through subtle details rather than exposition. Visually, I favor thoughtful compositions, a strong sense of place, and imagery that serves the emotional journey of the characters. My goal is to create films that feel authentic, immersive, and visually precise while leaving space for the audience to interpret and connect with the story on their own.
sama
“Sama” was created as part of the “RA” project, a deeply personal and challenging film I wrote, directed, and shot. The story focuses on a sensitive and harrowing
topic: sexual harassment and assault, specifically the exploitation of young children. In the case of Sama, the narrative follows a young girl trapped in her mind, where the trauma manifests as an invisible yet palpable force shaping her reality.
To approach such a delicate subject, I deliberately chose long, quiet scenes that convey the profound turmoil Sama endures. These still moments allow the audience to feel the weight of her experience without directly witnessing the assault itself.
By leaving the violence offscreen, the film invites viewers to imagine the horrors, making the emotional impact even stronger and more unsettling.
This stylistic choice reflects my belief in the power of subtlety and restraint, focusing not on the act but its aftermath and the psychological scars it leaves behind. Through “Sama,” I sought to create a poignant, thought-provoking piece that sheds light on an often-hidden reality while maintaining respect for the gravity of the subject matter. It was a deeply challenging project, both emotionally and artistically, but one that reaffirmed my commitment to using film as a medium for meaningful storytelling.
For collaboration
Maha Masarwa
Last Visit
Last Visit was my first directing exercise at university, a formative experience that allowed me to explore the creative process of adapting an existing script into something personal. The script was taken from a scene in “Kramer vs. Kramer,” but I decided to reimagine it, adding my own elements and adapting it to fit the local context and characters I envisioned. This adaptation gave me the chance to delve into the nuances of directing and storytelling, working closely with the actors to bring these reimagined characters to life.
The cast included Ricki Kassa and Diaa Mughrabi, whose compelling performances brought depth and authenticity to the narrative. Collaborating with talented teammates like Munir Khoury, who handled cinematography, and Ahmed Haneni, who managed sound, enriched the process and taught me the importance of teamwork in filmmaking. This project marked an important milestone in my journey, allowing me to experiment with storytelling while building my confidence as a director.
Instagram for collab:
Ricki kassa
Diaa Mughrabi
Munir Khoury
Madam Tayoush Cafe
This project was a heartfelt homage to classic Egyptian cinema, capturing the spirit, aesthetics, and charm of a golden era in film. Directed by Rosalin Hossary and shot by me, it was a visually rich and deeply nostalgic piece that paid tribute to the timeless storytelling and artistry of old Egyptian films. As part of the “RA” project productions, it holds a special place in my heart as one of the works I’m most proud of.
From the meticulous attention to lighting and composition to the use of colors and framing reminiscent of mid-century Egyptian cinema, every element was designed to evoke a sense of authenticity and respect for that cinematic legacy. The collaboration with Rosalin allowed me to explore my craft as a cinematographer, blending traditional techniques with modern tools to recreate the evocative mood and style of this beloved era.
This project was not only a celebration of the past but also a way of connecting with a cultural heritage that continues to inspire generations of filmmakers.
blue
My debut as a director was an ambitious challenge: telling a story in three static shots without dialogue. Relying on composition, lighting, and performance, I explored the power of silence and visual storytelling. This minimalist approach marked the start of my filmmaking journey.